Wrestling with Manhood is the first educational program to pay attention to the enormous popularity of professional wrestling among male youth, addressing its relationship to real-life violence and probing the social values that sustain it as a powerful cultural force. Richly illustrating their analysis with numerous examples, Sut Jhally and Jackson Katz - the award-winning creators of the videos Dreamworlds and Tough Guise, respectively - offer a new way to think about the enduring problems of men's violence against women and bullying in our schools. Drawing the connection between professional wrestling and the construction of contemporary masculinity, they show how so-called "entertainment" is related to homophobia, sexual assault and relationship violence. They further argue that to not engage with wrestling in a serious manner allows cynical promoters of violence and sexism an uncontested role in the process by which boys become "men." Designed to engage the wrestling fan as well as the cultural analyst, Wrestling with Manhood will provoke spirited debate about some of our most serious social problems. ( moins )

An Interview With Aaron Russo Reflections And Warnings - An Interview With Aaron Russo, pays homage to maverick patriot Aaron Russo, who left this mortal coil in August 2007 after a long battle with cancer. The film is a 90 minute full version of Jones’ seminal interview with Russo, which took place months before his death. This was Russo’s final videotaped interview before he passed away, but his legacy as the founder of the movement to end the power monopoly of the Federal Reserve makes the documentary more contemporary than ever before in light of how the Federal Reserve has increased its stranglehold over the American economy since the beginning of the financial crisis last year. The DVD is interspersed with new footage of Jones highlighting the progression of many things that Russo warned were part of the ultimate agenda for the prison planet before he passed away. Russo was perhaps best known for managing star of stage and screen Bette Midler, as well as producing Trading Places starring Eddie Murphy, but his last great work was undoubtedly the most important of his life - Russo’s groundbreaking exposé of the criminal run-for-profit Federal Reserve system, the documentary America: From Freedom to Fascism. The interview opens with Russo talking about how he first started to become aware of the fact that something was very wrong in America, when cops set him up and raided his Chicago night club and later demanded protection money, mafia style. The conversation on the DVD features many shocking revelations that were divulged by Russo’s one-time close friend Nick Rockefeller about the elite’s agenda for mankind. After his popular video Mad As Hell was released and he began his campaign to become Governor of Nevada, Russo was noticed by Rockefeller and introduced to him by a female attorney. Seeing Russo’s passion and ability to affect change, Rockefeller set about on a subtle mission to recruit Russo into the elite. During one conversation, Rockefeller asked Russo if he was interested in joining the Council on Foreign Relations (CFR) but Russo rejected the invitation, saying he had no interest in “enslaving the people” to which Rockefeller coldly questioned why he cared about the “serfs.” “I used to say to him what’s the point of all this,” said Russo, “you have all the money in the world you need, you have all the power you need, what’s the point, what’s the end goal?” to which Rockefeller replied (paraphrasing), “The end goal is to get everybody chipped, to control the whole society, to have the bankers and the elite people control the world.” Rockefeller even assured Russo that if he joined the elite his chip would be specially marked so as to avoid undue inspection by the authorities. In another conversation, Russo states that Rockefeller told him, “Eleven months before 9/11 happened there was going to be an event and out of that event we were going to invade Afghanistan to run pipelines through the Caspian sea, we were going to invade Iraq to take over the oil fields and establish a base in the Middle East, and we’d go after Chavez in Venezuela.” Rockefeller also told Russo that he would see soldiers looking in caves in Afghanistan and Pakistan for Osama bin Laden and that there would be an “Endless war on terror where there’s no real enemy and the whole thing is a giant hoax,” so that “the government could take over the American people,” according to Russo, who said that Rockefeller was cynically laughing and joking as he made the astounding prediction. “Eleven months to a year later that’s what happened….he certainly knew that something was going to happen,” said Russo. In a later conversation, Rockefeller asked Russo what he thought women’s liberation was about. Russo’s response that he thought it was about the right to work and receive equal pay as men, just as they had won the right to vote, caused Rockefeller to laughingly retort, “You’re an idiot! Let me tell you what that was about, we the Rockefeller’s funded that, we funded women’s lib, we’re the one’s who got all of the newspapers and television - the Rockefeller Foundation.” Rockefeller told Russo of two primary reasons why the elite bankrolled women’s lib, one because before women’s lib the bankers couldn’t tax half the population and two because it allowed them to get children in school at an earlier age, enabling them to be indoctrinated into accepting the state as the primary family, breaking up the traditional family model. This revelation dovetails previous admissions on behalf of feminist pioneer Gloria Steinem (pictured) that the CIA bankrolled Ms. Magazine as part of the same agenda of breaking up traditional family models. Rockefeller was often keen to stress his idea that “the people have to be ruled” by an elite and that one of the tools of such power was population reduction, that there were “too many people in the world,” and world population numbers should be reduced by at least half. Russo talks at length in the interview about how any attempt at taking America back from the criminal elite needs to be focused around dismantling the private criminal enterprise known as the Federal Reserve, by returning America to a system where the government prints its own money backed by gold without having to be in debt and pay interest to a private cabal of elitists. At the end of the interview, Russo describes how he had plans to further fight the new world order once he overcame his cancer, which unfortunately was not to be. However, Aaron’s legacy will live on through this interview, through his outstanding documentary America: From Freedom To Fascism and through the countless people in his life who he brought joy to by way of his engaging, warm and above all, innately human personality. ( moins )

Reflections And Warnings - An Interview With Aaron Russo pays homage to maverick patriot Aaron Russo, who left this mortal coil in August 2007 after a long battle with cancer. The film is a 90 minute full version of Jones’ seminal interview with Russo, which took place months before his death. This was Russo’s final videotaped interview before he passed away, but his legacy as the founder of the movement to end the power monopoly of the Federal Reserve makes the documentary more contemporary than ever before in light of how the Federal Reserve has increased its stranglehold over the American economy since the beginning of the financial crisis last year. The DVD is interspersed with new footage of Jones highlighting the progression of many things that Russo warned were part of the ultimate agenda for the prison planet before he passed away. Russo was perhaps best known for managing star of stage and screen Bette Midler, as well as producing Trading Places starring Eddie Murphy, but his last great work was undoubtedly the most important of his life - Russo’s groundbreaking exposé of the criminal run-for-profit Federal Reserve system, the documentary America: From Freedom to Fascism. The interview opens with Russo talking about how he first started to become aware of the fact that something was very wrong in America, when cops set him up and raided his Chicago night club and later demanded protection money, mafia style. The conversation on the DVD features many shocking revelations that were divulged by Russo’s one-time close friend Nick Rockefeller about the elite’s agenda for mankind. After his popular video Mad As Hell was released and he began his campaign to become Governor of Nevada, Russo was noticed by Rockefeller and introduced to him by a female attorney. Seeing Russo’s passion and ability to affect change, Rockefeller set about on a subtle mission to recruit Russo into the elite. During one conversation, Rockefeller asked Russo if he was interested in joining the Council on Foreign Relations (CFR) but Russo rejected the invitation, saying he had no interest in “enslaving the people” to which Rockefeller coldly questioned why he cared about the “serfs.” “I used to say to him what’s the point of all this,” said Russo, “you have all the money in the world you need, you have all the power you need, what’s the point, what’s the end goal?” to which Rockefeller replied (paraphrasing), “The end goal is to get everybody chipped, to control the whole society, to have the bankers and the elite people control the world.” Rockefeller even assured Russo that if he joined the elite his chip would be specially marked so as to avoid undue inspection by the authorities. In another conversation, Russo states that Rockefeller told him, “Eleven months before 9/11 happened there was going to be an event and out of that event we were going to invade Afghanistan to run pipelines through the Caspian sea, we were going to invade Iraq to take over the oil fields and establish a base in the Middle East, and we’d go after Chavez in Venezuela.” Rockefeller also told Russo that he would see soldiers looking in caves in Afghanistan and Pakistan for Osama bin Laden and that there would be an “Endless war on terror where there’s no real enemy and the whole thing is a giant hoax,” so that “the government could take over the American people,” according to Russo, who said that Rockefeller was cynically laughing and joking as he made the astounding prediction. “Eleven months to a year later that’s what happened….he certainly knew that something was going to happen,” said Russo. In a later conversation, Rockefeller asked Russo what he thought women’s liberation was about. Russo’s response that he thought it was about the right to work and receive equal pay as men, just as they had won the right to vote, caused Rockefeller to laughingly retort, “You’re an idiot! Let me tell you what that was about, we the Rockefeller’s funded that, we funded women’s lib, we’re the one’s who got all of the newspapers and television - the Rockefeller Foundation.” Rockefeller told Russo of two primary reasons why the elite bankrolled women’s lib, one because before women’s lib the bankers couldn’t tax half the population and two because it allowed them to get children in school at an earlier age, enabling them to be indoctrinated into accepting the state as the primary family, breaking up the traditional family model. This revelation dovetails previous admissions on behalf of feminist pioneer Gloria Steinem (pictured) that the CIA bankrolled Ms. Magazine as part of the same agenda of breaking up traditional family models. Rockefeller was often keen to stress his idea that “the people have to be ruled” by an elite and that one of the tools of such power was population reduction, that there were “too many people in the world,” and world population numbers should be reduced by at least half. Russo talks at length in the interview about how any attempt at taking America back from the criminal elite needs to be focused around dismantling the private criminal enterprise known as the Federal Reserve, by returning America to a system where the government prints its own money backed by gold without having to be in debt and pay interest to a private cabal of elitists. At the end of the interview, Russo describes how he had plans to further fight the new world order once he overcame his cancer, which unfortunately was not to be. However, Aaron’s legacy will live on through this interview, through his outstanding documentary America: From Freedom To Fascism and through the countless people in his life who he brought joy to by way of his engaging, warm and above all, innately human personality. ( moins )

Un extrait de cette entrevu est disponible en français sur Tag. Reflections And Warnings - An Interview With Aaron Russo pays homage to maverick patriot Aaron Russo, who left this mortal coil in August 2007 after a long battle with cancer. The film is a 90 minute full version of Jones’ seminal interview with Russo, which took place months before his death. This was Russo’s final videotaped interview before he passed away, but his legacy as the founder of the movement to end the power monopoly of the Federal Reserve makes the documentary more contemporary than ever before in light of how the Federal Reserve has increased its stranglehold over the American economy since the beginning of the financial crisis last year. The DVD is interspersed with new footage of Jones highlighting the progression of many things that Russo warned were part of the ultimate agenda for the prison planet before he passed away. Russo was perhaps best known for managing star of stage and screen Bette Midler, as well as producing Trading Places starring Eddie Murphy, but his last great work was undoubtedly the most important of his life - Russo’s groundbreaking exposé of the criminal run-for-profit Federal Reserve system, the documentary America: From Freedom to Fascism. The interview opens with Russo talking about how he first started to become aware of the fact that something was very wrong in America, when cops set him up and raided his Chicago night club and later demanded protection money, mafia style. The conversation on the DVD features many shocking revelations that were divulged by Russo’s one-time close friend Nick Rockefeller about the elite’s agenda for mankind. After his popular video Mad As Hell was released and he began his campaign to become Governor of Nevada, Russo was noticed by Rockefeller and introduced to him by a female attorney. Seeing Russo’s passion and ability to affect change, Rockefeller set about on a subtle mission to recruit Russo into the elite. During one conversation, Rockefeller asked Russo if he was interested in joining the Council on Foreign Relations (CFR) but Russo rejected the invitation, saying he had no interest in “enslaving the people” to which Rockefeller coldly questioned why he cared about the “serfs.” “I used to say to him what’s the point of all this,” said Russo, “you have all the money in the world you need, you have all the power you need, what’s the point, what’s the end goal?” to which Rockefeller replied (paraphrasing), “The end goal is to get everybody chipped, to control the whole society, to have the bankers and the elite people control the world.” Rockefeller even assured Russo that if he joined the elite his chip would be specially marked so as to avoid undue inspection by the authorities. In another conversation, Russo states that Rockefeller told him, “Eleven months before 9/11 happened there was going to be an event and out of that event we were going to invade Afghanistan to run pipelines through the Caspian sea, we were going to invade Iraq to take over the oil fields and establish a base in the Middle East, and we’d go after Chavez in Venezuela.” Rockefeller also told Russo that he would see soldiers looking in caves in Afghanistan and Pakistan for Osama bin Laden and that there would be an “Endless war on terror where there’s no real enemy and the whole thing is a giant hoax,” so that “the government could take over the American people,” according to Russo, who said that Rockefeller was cynically laughing and joking as he made the astounding prediction. “Eleven months to a year later that’s what happened….he certainly knew that something was going to happen,” said Russo. In a later conversation, Rockefeller asked Russo what he thought women’s liberation was about. Russo’s response that he thought it was about the right to work and receive equal pay as men, just as they had won the right to vote, caused Rockefeller to laughingly retort, “You’re an idiot! Let me tell you what that was about, we the Rockefeller’s funded that, we funded women’s lib, we’re the one’s who got all of the newspapers and television - the Rockefeller Foundation.” Rockefeller told Russo of two primary reasons why the elite bankrolled women’s lib, one because before women’s lib the bankers couldn’t tax half the population and two because it allowed them to get children in school at an earlier age, enabling them to be indoctrinated into accepting the state as the primary family, breaking up the traditional family model. This revelation dovetails previous admissions on behalf of feminist pioneer Gloria Steinem (pictured) that the CIA bankrolled Ms. Magazine as part of the same agenda of breaking up traditional family models. Rockefeller was often keen to stress his idea that “the people have to be ruled” by an elite and that one of the tools of such power was population reduction, that there were “too many people in the world,” and world population numbers should be reduced by at least half. Russo talks at length in the interview about how any attempt at taking America back from the criminal elite needs to be focused around dismantling the private criminal enterprise known as the Federal Reserve, by returning America to a system where the government prints its own money backed by gold without having to be in debt and pay interest to a private cabal of elitists. At the end of the interview, Russo describes how he had plans to further fight the new world order once he overcame his cancer, which unfortunately was not to be. However, Aaron’s legacy will live on through this interview, through his outstanding documentary America: From Freedom To Fascism and through the countless people in his life who he brought joy to by way of his engaging, warm and above all, innately human personality. ( moins )

Predictive programming comes in many forms and many degrees of subtlety. If you have never looked into this subject, you wouldnt even notice how often predictive programming is used in fictional dramas. But when you know how to recognise the signs, you realise that the mainstream media is infested with it. As Alan Watt has said many times: All fiction is propaganda., and that is so true. When you watch your favorite TV cop drama, you probably assume that it is produced solely for the purpose of providing drama and entertainment for your viewing pleasure. And that is true to an extent. But theres another side to it that most people rarely think about. And thats the fact that these types of programmes are also used as a way of conditioning our minds to accept certain ways of thinking about things. When we see a character in the drama react in a certain way to hearing news of a certain thing, we will then be far more likely to react in a similar way. Even though you know you have your own mind, and you know that you are an individual who is free to think any way you choose, there is no getting away from the fact that you will be influenced by the way other people react to things. Weve done it since the day we were born. For example, lets say youre watching your favorite soap opera and one of the characters gets the wrong end of the stick and comes up with some crazy idea about how their partner is cheating on them. And then the characters friend says See, there you go again with your crazy conspiracy theories.. This is a typical example of counter-intelligence or propaganda, as it would have the effect of altering the way the viewer thinks about anyone who comes out with any valid idea about how things are not what they seem. Counter-intelligence is often used when a secret has leaked out into the public domain and the establishment tries to attach some false or ridiculous association to the secret so that people will not want to believe it. The term conspiracy theorist was invented for the purpose of discrediting anyone who disagrees with the establishments interpretation of reality. Due to the effect of predictive programming over the last half century, the term conspiracy theorist is now so loaded with negativity that it has become more of an insult rather than a description. Occult symbolism is also used extensively in the media, particularly in Hollywood movies, and especially in cartoons targeted at children. From the Wizard of Oz to Mickey Mouse to Buzz Lightyear, the symbolism is put right in your face, and anyone who knows about occult symbolism can see it a mile off. I was amazed at how much occult symbolism is in the Toy Story movie. Virtually every scene contains images of pentagrams and other masonic symbols, such as the compass and square. The people who work in Hollywood are masters at their craft and we have to give them credit for what they do. Not only do they create some amazing movies that keep us entertained, they are also able to use those movies to imprint certain messages in our mind, and without most people being aware of it. Predictive programming isnt always a negative thing in my opinion, as it can be used for positive effects as well. Its a bit like electricity in that regard. Electricity can cook your food but it can also cook YOU if youre not careful. I have no objection to Hollywood or to the people who are employed there. But we should all be aware of how our mind can be programmed if we allow it to be. This short video can only provide an intro to the subject. To get a fuller picture of how predictive programming works and how it has been used, you really need to listen to Alan Watt at http://www.CuttingThroughTheMatrix.com. He goes into detail and hes done extensive research into the subject ( moins )

Les Colocs Belzébut Live 1997 M+ pour le lancement de Dehors Novembre Belzébuth J'habite dans un appart' tranquille J'arrive à peine ça fait une heure Jusqu'à maintenant j'ai 'a vie facile Malgré qu'c'est pas encore le bonheur J'ai visité tous les racoins Je l'sais qu'mon maître est bien nanti J'ai fait mes griffes, mes petits soins Et ça m'a creusé l'appétit J'appelle mes instincts de chasseur Je cherche un petit animal Je peux tout voir dans la noirceur Je suis un chat c'est bien normal Si jamais y passe une souris J'y fais la passe du samouraï Les poissons rouges c'est du sushi Faut qu'j'en mange un avant qu'j'm'en aille Comme ça mon nom c'est Belzébuth Personnellement, j'trouve ça épais Qui c'est qui peut ben vivre icitte Ça doit être un couple de bourgeois De toute façon c'est platte à mort C'te maison là c't'une salle d'attente Maudit qu'ça l'air le fun dehors Montrez-moé d'quoi qui va m'surprendre Le mois passé j'ai vu une chatte J'l'ai surnommée Élizabeth Élizabeth & Belzébuth Dans mes oreilles le beat est bon Après ça j'ai r'gardé 'a T.V. Un documentaire sur les panthères Y'a quequ'chose qui m'a inspiré Mais les annonces me tapaient ses nerfs Ah! Demain dimanche, un autre jour j'm'en fous J'irai, j'irai dans la ruelle J'irai là où mon coeur m'appelle Y'est pas question que j'passe ma vie Emprisonné dans ma p'tite tête Je suis un félin insoumis J'tiens mordicus à bien paraître C'est pas ma place c'est évident Ça va finir par me tuer Le look, l'odeur, l'air ambiant M'enlèvent le goût de respirer Le chat qui était là avant moé S'est suicidé dans l'temps des fêtes Un pessimiste a'ec une grosse tête Qui avait d'la suite dans les idées C'est pas d'ma faute si à tout bout d'champs Une joie intense me monte à tête Ça arrive comme ça naturellement J'suis chimiquement fait pour la fête J'ai beau faire une tête d'enterrement Y'a personne qui m'prend au sérieux J'suis très jaloux très secrètement D'la profondeur des malheureux Ah! Demain dimanche, un autre jour j'm'en fous J'irai, j'irai dans la ruelle J'irai là où mon coeur m'appelle Y'est pas question que j'passe ma vie Emprisonné dans ma p'tite tête Je suis un félin insoumis J'tiens mordicus à bien paraître Couché en boule dans mon p'tit coin J'écoute parler mes p'tits bourgeois J'ai l'air d'un chat, j'ai l'air de rien Que c'est qu'y disent à mon sujet Ça parle de griffes, ça parle de couilles Ça m'met dans une drôle d'atmosphère Ça m'dresse le poil, ça m'fout la trouille C'est quoi ça un vétérinaire N'a un des deux qui s'vire vers moé Y'a un air louche, ça a l'air sérieux Y'est trop imbécile pour deviner Toute la frayeur qu'y'a dans mes yeux Ça y'est, ça y'est j'ai tout compris Y'essayent de m'enterrer vivant Fuis Belzébuth, let's go c'est l'temps Sauve qui peut, sauve qui peut, sauve ta vie, hey! La ruelle qui m'attend, moi j'fais mon scénario Dans un travelling avant à travers les poubelles C'est l'party, c'est la nuitte et c'est un bon départ Me v'là qui crie « Action! » et la musique démarre Dans une contre-plongée je remarque un mouvement Un gros matou perché, c'est un vrai monument « J'connais personne icitte, toi comment tu t'appelles, Vu la grosseur que t'as, m'a t'appeller colonel. » Y'm'dit: « Fiston toé qui a l'air si mignon, Frais débarqué dans la réalité Ouvre bien tes oreilles, je l'dirai pas deux fois Ici c'est pas pareil, c'est moi qui fait la loi. « T'as encore des couilles au cul, je m'en suis aperçu Encore des griffes aux pattes, ah! ben çà, ça m'épate. Moi j'ai pas eu cette chance, y'm'reste p'us qu'une seule bourse Mais tu peux me faire confiance j'suis toujours dans la course. On m'a ôté mes griffes mais je sais bricoler J'ai mis une lame de canif, regarde comment elle est bien droite Au bout de ma patte. Elle fait dans le quartier office de justice Peu importe la faute, partout sur mon chemin Un matou téméraire est un matou de moins Bon! Avant que j'm'arrache juste une petite dernière À propos d'une rumeur qui circule dans le coin Y paraît qu'tu pisses partout, c'est pas une bonne idée Y'a déjà des jaloux qui commencent à flipper. Oh salut! » Mon élan vers l'horizon se voit interrompu Quand au bout d'la ruelle, oui je l'ai reconnue Celle qui par ma fenêtre est entrée dans mon coeur Comme une balle perdue, une chatte en chaleur C'est dans un vieux hangar qu'Élizabeth m'invite Avant que les autres arrivent, fais ça ben fais ça vite La T.V. ça a du bon, j'me souviens des panthères C'est sans explication j'sais très bien comment faire Nos deux coeurs qui ronronnent et dans un moment de folie L'extase c'est merveilleux pour tous les insoumis Élizabeth chante l'amour vingt décibels trop fort La ruelle en alerte c'est l'écho de la mort Cinquante chats enragés envahissent le hangar Tous les fauves d'la ruelle veulent me trancher le cou Je sens l'haleine d'la guerre et j'ai le goût du sang Les poils volent dans les airs et les cris sont stridents Au nord, au sud. à l'est, à l'ouest Impossible de s'enfuir, aucune porte de sortie Soudain le colonel arrive et tous les autres chats se poussent Je salue mon ami qui vient à ma rescousse Un silence inquiétant, Élizabeth a peur Si c'est lui son amant j'pense qu'j'ai fait une erreur Un halo de lumière le découpe en silhouette Son visage sort de l'ombre et rencontre le mien Et juste comme j'allais dire adieu Élizabeth Il me sort sa lame, sa seule griffe d'argent Qui transperce mon âme et fait couler mon sang Des kilomètres, des kilomètres, soif dans la gorge, mal dans les pattes Surtout, surtout ne pas penser sinon mon coeur arrête de battre Chu pris en feu, j'me sens renaître, je cours plus vite qu'le désespoir J'crie au secours de tout mon être que j'ai peur de jamais revoir Je sens, je sens des ailes pousser, sur mes épaules et dans mon dos Métamorphose je t'attendais, moé c'est pu moé c'est un oiseau Je vais enfin pouvoir m'enfuir exactement comme dans mon plan Y m'reste juste cinq secondes à vivre, j'ai déjà perdu trop de sang En survolant ma banlieue morte Je remercie le vent qui m'porte J'pense à ma belle Élizabeth À doit se demander c'que j'ai fait Pour ma neuvième et dernière vie J'avais mérité le confort J'ai ben fait de partir plus tôt Mon coeur préfère la vie d'oiseau Tous les jours, dimanche, j'peux voyager partout Aussi longtemps qu'j'aurai des ailes J'irai là où mon coeur m'appelle Y'est pas question que je r'descende Sauf peut-être pour aller manger En attendant ça peut attendre J'goûte au bonheur, chu pas pressé Paroles & Musique: André Fortin Collaboration aux paroles: André Vanderbiest & Richard Petit ( moins )

Ooo ooo ooo ooo I ain't happy, I'm feelin' glad I got sunshine in a bag I'm useless, but not for long the future is comin' on I ain't happy, I'm feelin' glad I got sunshine in a bag I'm useless, but not for long the future is comin' on, It's comin' on, It's comin' on, It's comin' on, It's comin' on Yeah, ha Ha! Finally someone let me outta my cage Now time for me is nothin' cuz I'm countin' no age Nah, I couldn't be there, now you shouldn't be scared I'm good at repairs (s'all simple), and I'm under your snare Intangible (aww dawg), I bet you didn't think so I command you to Panoramic view (you?), Look I'll make it all manageable Pick and choose (hmph), Sit and lose, All you different crews Chicks and dudes, So who you think is really kickin' tunes? Picture you gettin' down in tha picture tube, Like you lit the fuse You think it's fictional? Mystical? maybe Spiritual? Hero who Appears in you to clear your view (yeah) when you're too crazy Lifeless, to know the definition for what life is Priceless, To you because I put you on the hype shit You like it? Gun smokin' Righteous with one toke and Psychic among those, Possess you with one go I ain't happy, I' m feelin' glad I got sunshine in a bag I'm useless, but not for long the future is comin' on I ain't happy, I' m feelin' glad I got sunshine in a bag I'm useless, but not for long, the future (that's right) is comin' on, it's comin' on, it's comin' on, it's comin' on, it's comin' on The essence, the basics, Without that you make it Allow me to make this child-like-in-nature. Rhythm, you have it or you don't That's a fallacy. I'm in them Every sprouting tree, every child apiece Every cloud and see. You see with your eyes, I see destruction and demise Corruption in disguise(that's right) From this fuckin' enterprise, Now I'm sucked into your lives Through Russel not his muscles but percussion he provides With me as a (say what) guide Y'all can see me now cuz you don't see with your eye You perceive with your mind That's the inner (fuck em) So I'ma stick around with Russ and be a mentor Bust a few rhymes (mmm mmmm) so mother fuckers remember What the thought is I brought all this, so you can survive when law is lawless (right here) Feelings, sensations that you thought was dead (yup) No squealing, remember that it's all in your head I ain't happy, I'm feelin glad I got sunshine in a bag I'm useless, but not for long the future is comin' on I ain't happy, I' m feelin' glad I got sunshine in a bag I'm useless, but not for long my future is comin' on it's comin' on it's comin' on it's comin' on it's comin' on My future is comin' on, it's comin' on, it's comin' on, it's comin' on, it's comin' on My future is comin' on, it's comin' on, it's comin' on, it's comin' on, it's comin' on My future is comin' on, it's comin' on, it's comin' on, My future is comin' on, it's comin' on, it's comin' on, My future is comin' on, it's comin' on, it's comin' on, My future (chirp chirp chirp) ( moins )

Enfin,mon 20ième review est disponible et pas sur n'importe quoi,sur la série Double Dragon au Nintendo Entertainement System. Dans cette partie,j'attaque Double Dragon 1 et 2.Dans la 2ième partie,je ferai Double Dragon 3 car je vais avoir plus de contenu. Bien sur,en faisant ceci je renverse complètement la théorie bon film = mauvais jeux en bon jeux = mauvais film. Merci à tous pour l'encouragement,l'aide, le support et tout le reste que vous m'avez offert. Musiques: -Title screen Double Dragon 1 -Title screen Double Dragon 2 N'hésitez pas à visiter http://accrosdesjeux.blogspot.com/ Ceci n'est qu'une ébauche d'un grand projet qui est en construction.Accrosdesjeux sera un site web pour les gamers qui contiendra plusieurs choses intéressantes comme des reportages,des reviews exclusifs,des soirées spéciales et bien plus.Vous pouvez envoyez vos commentaires,suggestions ou même offrir votre aide à accrosdesjeux@gmail.com.Ce sera un projet magnifique et ça vaut la peine de s'impliquer. ( moins )

Attention aux speaker, le début est traitre... ;) I am oh so fascinated, I am oh so entertained, standing here like a comedian, I repeat what I said, again and again and again until the meaning has become an imitation of itself, an impression of an original defeats the fucking purpose. I don't know where this is going, but it's looking more and more like the same place where we started. Oh good God, holy shit, the joke's on us, not on them. Kids pretending to be astronauts, police officers, and firemen. Oh good God, holy shit, the joke's on us, not on them. Kids pretending to be astronauts, police officers, and firemen. And everybody's watching the lead singer in the bands. The guitars explode into a drumbeat that's driving. It's pretty fucking boring, isn't it? And of all the things we'd ask, of all the ways we'd like for it to be, they're just drunken conversations, song lyrics sung at the top of our lungs so desperately. I believe in a power that is of and by the people. I believe in an art that cannot be compromised. I believe that I will endure, and I will overcome. And I will sing it until I no longer remember the reason. Oh good God, holy shit, the joke's on us, not on them. Kids pretending to be astronauts, police officers, and firemen. Oh good God, holy shit, the joke's on us, not on them. Kids pretending to be astronauts, police officers, and firemen. ( moins )

Jacques Fabi a appris récemment que Corus Entertainment mettait fin à la programmation de nuit, puisque les stations allaient présenter les meilleurs moments... ( moins )